The claws in TNT’s “Claws” may be out, but that’s not all. They’re spangled, glittered and polished. Because, of course, there are no animals in “Claws.”

There is, however, no shortage of wild behavior in this new hourlong drama about five manicurists working in a South Florida nail salon. There’s no girl-fight action like the title suggests; the manicurists all get along, and “claws” refers to their over-the-top custom designs that transform fingers and toes into miniature objects d’art.

Eliot Laurence, the show’s creator and co-executive producer, says he has long been fascinated with the culture of nail salons and the interactions between artists and clients.

“Nail art can be so outrageous,” he said. “It’s not practical, but it’s wild. We were looking for ways to reflect the narrative of the show with nails.”

The series stars Niecy Nash (“Reno 911”) as Desna, the owner of the Nail Artisans of Manatee County.

Desna lives life to the fullest, both with her colleagues and with her smooth-talking, heavily tattooed lover, Roller (Jack Kesy), who feels perfectly comfortable dropping into the salon during business hours for a steamy tryst with Desna.

But Desna also has her share of worries.

She lives with and cares for her mentally ill brother, Dean (Harold Perrineau of “Lost”). Her employees include mild-mannered Polly (Carrie Preston), who recently served time in prison for identity theft, and young Virginia (Karrueche Tran), who is openly bored with her job.

Worst of all, Roller is running a barely legal pain clinic and is using Desna’s business to launder the facility’s huge profits.

Desna wants to get out of the arrangement, but Roller will not let her. The conflict leads to mayhem, violence and murder.

Executive producer Janine Sherman Barrois (“Criminal Minds”) calls “Claws” a roller-coaster ride that glides between drama and rowdy comedy.

She labels it “Florida noir,” the crime genre popularized by Carl Hiaasen (“Bad Monkey”) and Jeff Lindsay, author of the “Dexter” novels. (The series is shot mostly in New Orleans because of financial incentives.).

“To be able to do a drama and have humor in it is very, very refreshing,” Barrois said by telephone. “Normally you have all these bad things happening in the nighttime and in darkness, but with a Florida noir show, you can have things happen in the light and under the bright sun, which is absurd.”

In the grand tradition of “Steel Magnolias,” “Claws“ turns the beauty shop into a hub of female support and empowerment.

“Women sticking together and not looking for the permission of men is so vital right now,” Barrois said, adding that these women all want a piece of the American pie. “They want money, they want sex, they want career, and they are unapologetic about it.”

Nash is particularly excited about her first leading role. In series such as “Getting On,” “Masters of Sex” and “Scream Queens,” she has been primarily a featured member of an ensemble cast.

“This is so delicious,” Nash said by phone during a break from filming. “Most of the cast are women of a certain age. I love the fact we are so vibrant and full and complex. And as Desna, I get to play sinister, which I’ve never played before.”

greg.braxton@latimes.com