When Michael Muhammad Knight — whom The Guardian of London has called “the Hunter S. Thompson of Islamic literature” — set out to teach a religious studies seminar on classical Islam at Kenyon College in Ohio, he promptly realized that no single snapshot served to introduce his mostly non-Muslim students to the great prophet Muhammad, “Messenger of God.”

Instead, the professor settled on 40 such snapshots, or “introductions,” drawn from a broad swath of voices — the canonical as well as the marginalized — citing ancient Islamic scholars, French philosophers, even “Star Wars.”

His “Muhammad: Forty Introductions” is part gonzo devotional, part Muslim primer, and, ultimately, a soul-stirring portal into a personal vision of Muhammad.

The narrations Knight turned to are a bedrock of Islam: the hadith, an oral tradition of “news” or “reports” of Muhammad’s sayings or doings, a tradition that traces its lineage of authenticity through a chain of teachers, resting in proximity to the prophet himself. Hadiths, apart from the Quran, serve as instruction for Muslims looking for guidance in how to live their lives. As Knight put it, “I want to know Muhammad’s way of being human.”

Knight is a novelist and essayist who converted to Islam at 16, traveled to Islamabad at 17 to study at a madrasa, then got a master’s degree at Harvard Divinity School and a Ph.D. at the University of North Carolina. In gathering 40 hadiths, the author followed the ancient Islamic literary tradition of the arba’in, wherein scholars over the millennia have collected and curated 40 hadith, often by theme. For Knight, who rose to literary fame with his 2003 self-publication of his novel “The Taqwacores,” now considered a cult classic and a “manifesto for the Muslim punk movement,” his “Forty Introductions” is a decidedly contemporary collection, reaching into queer theology, feminist commentary and core Islamic teachings.

Knight’s intellectually charged collection of fragments makes for a multi-textured, many hued mosaic. In a revelatory aside, Knight acknowledges that for every student of Muhammad, the prophet becomes a “montage of images, an arrangement of moving parts.” This fragmentation is inevitable — and necessary — he writes: “the ingredients of my Muhammad often come to me as shattered pieces that have been chipped away from something else.”

Alternating between the professorial and the personal, Knight hits his highest notes when he bares his own soul. “Some hadiths soften my heart and bring me to tears,” he writes toward the end of the book. “I cling to the image of Muhammad as a gentle grandfather who lets his daughter’s sons Hasan and Husayn climb onto his back as he prays.”

While the introductions he’s chosen cover a full range and complexity — from Muhammad’s physical appearance to his family life, infallibility, legal authority and mystical nature — and while Knight boldly puts one interpretation or argument up against another, it seems telling that he chooses as his closing introduction Islam’s parallel to the Golden Rule:

“The Messenger of God (God bless him and give him peace) said, ‘One of you does not believe until s/he loves for another what is loved for self.’ ”

And then, Knight reminds why this, of all teachings in all religions and world views, matters most in the end.

“Claimants upon a religious tradition have numerous modes by which they can disqualify each other as illegitimate. You pray wrong; you dress wrong. You read the wrong books, or perhaps read the right books wrong. Your prophetology is wrong. Your preferred scholarly authorities are wrong. Your opinions about permissible and forbidden acts are wrong. This hadith reminds us that we can get everything right … and still fail as Muslims ... ”

Barbara Mahany’s latest book, “The Blessings of Motherprayer: Sacred Whispers of Mothering,” was published last spring.

Twitter @BarbaraMahany