YouTube rolling out red carpet for Red
Online video site
to debut original shows next week
Included in the Feb. 10 launch: “Dance Camp,” a musical teen drama produced by digital network AwesomenessTV; “Scare PewDiePie,” a series that pairs YouTube sensation Felix Kjellberg with the creator of “The Walking Dead” and Maker Studios; “A Trip to Unicorn Island,” a documentary by another popular YouTube, star Lilly Singh, and digital-first studio Astronauts Wanted; and “Lazer Team” a sci-fi comedy made by production company Rooster Teeth and Fullscreen Films.
The launch marks a turning point for YouTube, which is largely responsible for kick-starting the online video revolution but hasn't generated the same buzz as Netflix, Amazon Prime Video or Hulu in recent years.
Those streaming sites have enjoyed massive success with popular series such as “House of Cards,” “Orange Is the New Black” and “Transparent.”
YouTube hopes to do the same, but with cheaper productions and a younger audience that's grown up watching YouTube and social media stars in lieu of traditional TV.
“Initially, there's going to be a strong focus on the fan base,” said Susanne Daniels, YouTube's global head of original content and a former executive at MTV and Lifetime.
There are growing signs that YouTube's homegrown artists have broken into the mainstream.
Kjellberg made a recent appearance as a guest on “The Late Show With Stephen Colbert.” Singh was a recent guest on “The Tonight Show” with Jimmy Fallon. And Tyler Oakley, another massive YouTube “influencer,” had a book land on The New York Times best-seller list and appears on CBS' “The Amazing Race.”
YouTube aims to release 15 to 20 new titles on Red this year. That, combined with an ad-free experience, access to streaming music and offline video viewing, is how the company is promoting its $9.99 monthly service, which was launched in October 2015.
YouTube, which was bought by Google in 2006, has been in talks with Hollywood studios for more content for Red, but it's unclear what that would include.
It remains unlikely that Red will unseat Netflix, a cultural phenomenon backed by a big budget for premium programming. Netflix owes $10.9 billion in content license fees alone. But comparing the two services may be unfair this early in the game, experts say.
“I think Netflix sees YouTube Red as a completely different beast,” said Alan Wolk, a senior analyst at Diffusion Group, a media consulting firm. “Maybe it captures a segment of audience they wanted in the future, but not one they wanted now.”
Given YouTube's billion-plus viewers, even a small percentage of subscribers could make a big difference to the company's bottom line.
Credit Suisse expects YouTube to convert 3 percent of its users to Red subscribers over the next five years, giving Google — and its holding company Alphabet — a valuable new revenue stream beyond just search and advertising.